Annual Bach Concert Announcement

Brandie Sutton, soprano
Brandie Sutton, Soprano
Lucia Bradford, Mezzo-Soprano
Lucia Bradford, Mezzo-Soprano
Julietta Curenton, flute
Julietta Curenton, Flute
Claire Chan, violin
Claire Chan, Violin
Suzanne Gilman, ViolinSuzanne Gilman, Violin
Photo: Courtesy of Lincoln Center for the Performing Arts
Chala Yancy, Violin
Chala Yancy, Violin
Ashley Horne, Violin
Ashley Horne, Violin
Keith Bonner, FluteKeith Bonner, Flute

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The Harlem Chamber Players
present their
Annual Bach Concert
Friday, November 22, 2019 at 7 PM

Broadway Presbyterian Church
601 West 114th Street
New York, NY 10025
114th Street and Broadway

International symbol of access This venue is wheelchair-accessible.
Click here for directions.
Click here to view and print a flyer.
Click here to view the concert program.

“The final aim and reason of all music is nothing other than the glorification of God and the refreshment of the spirit.”—J.S. Bach

"The Harlem Bach Project" continues with an evening of concerti by the master, J.S. Bach. Please come join us!

Tickets
Tickets are $20 for general admission and $15 for students and seniors.
Purchase online now for discounted prices.

(Credit card processing fees will apply.)
Children 12 and under admitted for free!

Program – All Music by J.S. Bach
Brandenburg Concerto No.4 in G major, BWV 1049 for 2 Flutes and Violin
"Ach, bleibe doch, mein liebstes Leben," BWV 11 for Mezzo-Soprano
"Vergnügte Ruh, beliebte Seelenlust," BWV 170 for Mezzo-Soprano
"Bete aber auch dabei," BWV 115 for Soprano
"Vergnügen und Lust," BWV 197 for Soprano
"Aus Liebe will mein Heiland sterben," (from St. Matthew Passion) BWV 244 for Soprano
"Den Tod niemand zwingen kunnt," BWV 4 for Soprano and Mezzo-Soprano
"Nimm mich mir und gib mich dir," BWV 163 for Soprano and Mezzo-Soprano
Concerto for 3 Violins in D major, BWV 1064R

Featuring
Brandie Sutton, Soprano
Lucia Bradford, Mezzo-Soprano
Julietta Curenton, Flute
Ashley Horne, Violin
Claire Chan, Violin
Suzanne Gilman, Violin
Chala Yancy, Violin
Keith Bonner, Flute
(with a chamber orchestra comprising members of The Harlem Chamber Players)

Hosted by

Eric K. Washington, host Boss of the Grips review

Eric K. Washington
Independent historian and author. Boss of the Grips: The Life of James H. Williams and the Red Caps of Grand Central Terminal, published by Liveright, an imprint of W.W. Norton, in October 2019.

 

The Harlem Chamber Players 2019 – 2020 Season is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; in part by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; in part by a grant from Columbia Community Service; in part by West Harlem Development Corporation via the Tides Foundation; in part by a grant from the Lily Auchincloss Foundation; in part with funding from the Turrell Fund; in part with funding from the Upper Manhattan Empowerment Zone Development Corporation and administered by LMCC; in part by the Manhattan Community Award Program via Manhattan Borough President Gale A. Brewer; in part by a grant from the New York Community Trust/Charles E. Culpeper Fund; in part by a grant from the Charles Stewart Mott Foundation; in part by a grant from J.P. Morgan Securities Charitable Giving Fund; in part by a grant from The M&T Charitable Foundation; and through the generous donations of our supporters and donors.

UMEZ enhances the economic vitality of all communities in Upper Manhattan through job creation, corporate alliances, strategic investments, and small business assistance. LMCC empowers artists by providing them with networks, resources, and support, to create vibrant, sustainable communities in Manhattan and beyond. UMEZ enhances the economic vitality of all communities in Upper Manhattan through job creation, corporate alliances, strategic investments, and small business assistance. LMCC empowers artists by providing them with networks, resources, and support, to create vibrant, sustainable communities in Manhattan and beyond.

Thanks also to our partners—the Harlem Cultural Collaborative, the Cathedral Church of Saint John the Divine, Goddard Riverside Community Center, the Schomburg Center for Research in Black Culture, the Harlem School of the Arts, Harlem One Stop, Broadway Presbyterian Church, St. Mary’s Episcopal Church of Manhattanville, The Forum and Columbia University, Opus 118 Harlem School of Music, Harlem Arts Alliance, Harlem Stage, Composers Now, Talea Ensemble, Harlem Opera Theater, the Harry T. Burleigh Society, Opera Noire, Three on 3, Opera Ebony, Chorale Le Chateau, the Newark School of the Arts, Arts High School in Newark, Africlassical.com.blogspot.com, and the Institute of Music for Children in Elizabeth, NJ.

 

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